“This is a story about relationships within a family unit and close friends for a happy & enriching life
It traces fictional journeys of a few friends from IIM Ahmedabad over the course of 25 years
Set against the backdrop of multiple bottom-line or impact investments, it highlights inherent conflicts of success in the intensely competitive lives of these MBAs.
The story amalgamates rustic India and contemporary global with its wry humor and its take on the startup ecosystem which most professionals may relate to.”
MBA-Mindful But Absent is a straight forward story of a group of management professionals. The story told in non parallel narrative starts off with three friends, Rolo, Ashim and Ramesh reunited in the present. Ashim and Ramesh are running a start up venture and to accompany them, to offer help in whatever way possible arrives their friend and batch mate Rolo. When closely knit friends meet, heart warming conversations and reminiscences are bound to happen. The same happens here and each of them traces their journey since the day they graduated from the business school.
What follows in the book is a roller coaster ride that takes us through the fervour and fiestas that people soaked in true friendship witness. I especially liked the life journey of Rolo, who is portrayed as a compassionate human being, which in a way, sends out a strong message to the youth of the present generation. The dialogues are written mostly in simple language, such that it does justice to the essence of the story, with the theme revolving around the whims and woes of the youth of our country. The story is particularly relevant in the aspect that it deals with the vagaries that aspiring business men confront in their relentless and strife stricken journey, where they strive hard to make a mark with their start up projects. Not solely that, but the turmoils and hiccoughs that married couples encounter, of the likes of mistrust, divorce, seperation and infidelity come to the foray occasionally too. The story ends on a heart warming note which pleased the reader in me.
I wish though that the backdrops of the scenes and the layers of the characters were put across in a more detailed manner. I couldn’t find any typographic errors or grammer glitches, which point to good editing. It can be considered as a must read for the entrepreneurs out there, who would find the thoughts opined in the book to echo with their experience. For others too, the book would interstingly keep company on a relaxed afternoon, when you are in the mood to read something light and uncomplicated.
Vikas is an alum of IIM Ahmedabad, currently CEO of a group of companies employing 10K people. He had incubated a low-cost housing business while at a private equity fund. The concept was based upon mass production but low customization techniques that bring high quality housing for the lower income section of society tantalizingly within reach. He had, prior to that, spent close to two decades in the industry. Some of his notable assignments were President of Kohler India, CEO of Lacoste India, CEO of Arcus, and Country Manager for Adams confectionary business at Warner-Lambert. He started his career at Colgate Palmolive.
P.S: This post is tagged with ‘Saturday Specifics’, a sub section of this blog where I put up something creative- a story, poem, haiku, Flash Fiction or a Book Review.
P.P.S: The book was sent to me by the Publisher in exchange for a honest review. The views expressed in the review are unbiased and are entirely mine.
A quick note on the book before proceeding to the review :- Ajaya- Roll of the Dice is the first book of the Ajaya series. The novel is a retelling of the epic Mahabharata, as told from Suyodhana’s perspective. The sequel of the book is Ajaya 2 – Rise of Kali, which was published in August 2015 and is available for read, both online and in stores.
THE MAHABHARATA ENDURES AS THE GREAT EPIC OF INDIA. But while Jaya is the story of the Pandavas, told from the perspective of the victors of Kurukshetra; Ajaya is the narrative of the ‘unconquerable’ Kauravas, who were decimated to the last man.
*** At the heart of India’s most powerful empire, a revolution is brewing. Bhishma, the noble patriarch of Hastinapura, is struggling to maintain the unity of his empire. On the throne sits Dhritarashtra, the blind King, and his foreign-born Queen – Gandhari. In the shadow of the throne stands Kunti, the Dowager-Queen, burning with ambition to see her firstborn become the ruler, acknowledged by all. And in the wings: * Parashurama, the enigmatic Guru of the powerful Southern Confederate, bides his time to take over and impose his will from mountains to ocean. * Ekalavya, a young Nishada, yearns to break free of caste restrictions and become a warrior. * Karna, son of a humble charioteer, travels to the South to study under the foremost Guru of the day and become the greatest archer in the land. * Balarama, the charismatic leader of the Yadavas, dreams of building the perfect city by the sea and seeing his people prosperous and proud once more. * Takshaka, guerilla leader of the Nagas, foments a revolution by the downtrodden as he lies in wait in the jungles of India, where survival is the only dharma. * Jara, the beggar, and his blind dog Dharma, walk the dusty streets of India, witness to people and events far greater than they, as the Pandavas and the Kauravas confront their searing destinies.
Amidst the chaos, Prince Suyodhana, heir of Hastinapura, stands tall, determined to claim his birthright and act according to his conscience. He is the maker of his own destiny – or so he believes. While in the corridors of the Hastinapura palace, a foreign Prince plots to destroy India. And the dice falls…
Through ‘Ajaya’, the author has taken up the painstaking, albeit adventurous task of retelling the renowned epic ‘Mahabharatha’. The story begins with the picture of a rather distraught, young Suyodhana hiding from a sturdy and rebellious Bhima, who, as was his usual hobby, is out on his trail to chide his cousin for no particular reason. From the very opening scene, the author succeeds in conveying the essence of his bold and ground breaking venture- A Mahabharata narrated in a manner that would lend voice to the vanquished souls.
The job at hand of reviewing the book is not easy. For one, the formidable tale of Mahabharata is something which has been etched in our hearts since the moment, as a child, we yearned for stories, the synopsis of which being the Pandavas with the help of Krishna winning the war against the Kauravas. The legend would leave any one dubious about the subtleties and the methods involved, but then, we were taught, rather it was hard wired in to our minds to believe that to do one’s Dharma was what mattered, and not the over emphasis on the dainty threads of emotional connect, which are sure to disintegrate one day. We were taught to focus on the bigger picture, to study it and to dissect it for the betterment of our own independent lives.
The author, with his spectacular cadence of storytelling has created an entirely different version of the epic. The loopholes in the epic have been nitpicked to weave sub plots out of those weak, marshy spots in the most astute of manners. One might disagree to the accusations strewn against the characters we otherwise consider heroes, but then one is also forced to be amazed by the deftness of the author’s mind plays. I personally read the book, keeping my mind and heart wide open, prepared to let the words flown in, to let it satiate the ravenous reader in me and not be flinched by the audacity of the author’s unrestrained vision. The Duryodhana that common man knows of is one dimensional, highlighted by monochromic shades of black. In this book, the author has unveiled the multiple layers of Duryodhana’s personality, presenting before the reader a multi dimensional character, bringing to the limelight his compassion, his eye for romanticism, his sympathy towards the downtrodden, his despise towards the rotten caste system that prevailed in those times and his unrelenting passion to follow his heart. Do we know if those were true? More importantly, do we know if those were untrue? The book is the author’s attempt to insinuate deeper, to tread beyond those questions to offer the reader his share of answers and he does that with immense flair and élan.
The reader might be taken aback at certain places where the acts of certain characters, especially that of Pandavas,Kunti, Drona and Lord Krishna himself are sketched such that one is prompted to throw them under the scrutinising stares of one’s rationale and judgements. Those incidents are not something we haven’t heard of before and we know a few of those acts served a greater purpose too, but few readers might find it mildly jarring to have those focussed up on. As I said before, it is not easy to convince the reader why I liked the book, when I myself am an ardent admirer of Mahabharata. Perhaps, the fact that the writer in me was conquered by the visionary would serve as the best explanation for the same.
The review wouldn’t be complete without opining about the quality of writing, would it? The prose is undoubtedly engaging, with frequent references to the nature and its metaphoric enigma enriching the story at the right places. The narration is brilliantly equipped with intriguing content to take the pace forwards sans hiccoughs. The conversations are even witty at places, especially when the author sketches the camaraderie between Suyodhana and Ashwathama. The lexicon stands out and that, along with the fluidity of the prose and the amount of research that has gone in to the making of this remarkable work completely enthralled the reader in me.
I would definitely look forward to more of the author’s works. Perhaps, a literary fiction before long?
A Few Quotable QuotesFrom The Book:
“When our schools fail to teach our children what they should know, other schools take their place and teach different lessons, which we may not like.”
“Never associate any evil with a group. Hate their sins, but not the people.”
‘Life is a gamble. You do not know how the dice will fall. But once they have, how you move the pieces is in your hands.”
About The Author: (In his own words)
I was born in a quaint little village called Thripoonithura, on the outskirts of Cochin, Kerala. Located east of mainland Ernakulam, across Vembanad Lake, this village had the distinction of being the seat of the Cochin royal family. However, it was more famous for its hundred odd temples; the various classical artists it produced and its music school. I remember many an evening listening to the faint rhythm of Chendas from the temples and the notes of the flute escaping over the rugged walls of the school of music. Gulf money and the rapidly expanding city of Cochin have, however, wiped away all remaining vestiges of that old world charm. The village has evolved into the usual, unremarkable, suburban hell hole, clones of which dot India. Growing up in a village with more temples than was necessary, it was no wonder that the Ramayana fascinated me. Ironically, I was drawn to the anti-hero of the epic – Ravana, and to his people, the Asuras. I wondered about their magical world. But my fascination remained dormant for many years, emerging only briefly to taunt and irritate my pious aunts during family gatherings. Life went on… I became an engineer; joined the Indian Oil Corporation; moved to Bangalore; married Aparna and welcomed my daughter Ananya, and my son, Abhinav. But the Asura emperor would not leave me alone. For six years he haunted my dreams, walked with me, and urged me to write his version of the story. He was not the only one who wanted his version of the story to be told. One by one, irrelevant and minor characters of the Ramayana kept coming up with their own versions. Bhadra, who was one of the many common Asuras who were inspired, led and betrayed by Ravana, also had a remarkable story to tell, different from that of his king. And both their stories are different from the Ramayana that has been told in a thousand different ways across Asia over the last three millennia. This is then Asurayana, the story of the Asuras, the story of the vanquished.